In any event, Zoran Dukic’s sense of color and textural variety, his seamless technique, and his lyrical disposition serve this music beautifully, as does Naxos’ warm, spacious engineering. Had the composer bagged his Goya subtext and simply titled this suite “Guitar Moods”, he would have been right on the money. 22’s harmonically sophisticated cascading arpeggios, but don’t expect an epic, six-stringed equivalent to Mussorgsky’s Pictures at an Exhibition. 17’s dissonant rapid repeated notes and drum-roll imitations, or No. To be sure, there are inspired moments, such as No. To my eyes and ears Goya’s stylized grotesquerie and twisted expressive palette has little in common with Castelnuovo-Tedesco’s gentle, conservative, and masterfully idiomatic guitar writing.
For best results, please make sure your browser is accepting cookies.Īrtistic Quality: 8 Sound Quality: 9 The booklet accompanying this release reproduces each of the Goya etchings that inspired the 24 individual pieces within Mario Castelnuovo-Tedesco’s solo-guitar suite, 24 Caprichos de Goya. Sorry, we just need to make sure you're not a robot. 24 Caprichos de Goya Mario Castelnuovo-Tedesco (1895-1968) (1961) revised and fingered by Edson Lopes April 2003 a Lorenzo. By Mario Castelnuovo Tedesco (1895–1968).
20 'Obsequio a el Maestro' from 24 Caprichos de Goya op. 195 I- Francisco Goya y Lucientes, Pintor on a 2018 Antonio Marin Montero Follow us. Rebeca Oliveira plays Mario Castelnuovo-Tedesco 24 caprichos de Goya Op.
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